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Showing posts with label rap. Show all posts
Showing posts with label rap. Show all posts

See Inside the Album: 72701 Stories


I swore I wouldn't spend time explaining myself with this project but here I am...explaining.   Let me rephrase... I'm not explaining myself I'm just giving you a glimpse into my mind when creating this album... Lets Ride.

I felt I should open the album with something touching. As I do with almost every album I create the intro last. I'm weird like that y'all. Anyway, If I Should Die... comes from a prayer I used to say as a child every night. The album starts the day I got a horrible stomach bug and drove myself 20 miles to the only hospital that would take my insurance at the time. After spending most of my time in the ER I finally made it home. I said this prayer right before I fell asleep. The rest of the album is the dream I experienced during that time....and the calls I missed!
90's Song is a reflection of my childhood. Most of my dreams remind me of thing I've done in the past. This particular song is about the feeling I felt on summer days hanging with my uncle in the 90s. I mixed it with a few current events from my friends in 72701 and make a hit.
Workin' includes a couple guys I met while making music in 72701. During my time there in college I was not as privileged as people assumed. Yes I had a scholarship but that didn't pay for a place to live...and I was miles away from family so I was at a loss. So in order to just break even every month I had to work 25+ hours a week on a shaky commission.
Ignant is about the point where things started to click for me. I was tired of busting my ass working and still having to donate plasma twice a week for food. This time was also very confusing because I was struggling with religion (that's why I mention communion). I finally realized in order to grow and prosper in this world I had to change. I had to be tougher, I had to stop being nice to people, and I had to stop wasting my time on women (no offense ladies). At that time my heart said "We Don't Love Them Hoes"
Although I swore off heartbreak we always tend to fall for those certain people. So Here We Go speaks on a couple of relationships I went through where no matter how good I was there was always dissatisfaction with something I was doing. So the here we go reflects constant arguments. We all know that feeling.
Yovng is very self explanatory... at one point in my college career I stared to act out...This song should have been placed right before Ignant but it felt better here. I spent a lot of time partying, experimenting with drugs, & making sexy time (don't judge me bitch). All of this before I landed myself in a corporate job... go figure!
Functions are math terms... which when you add more stuff to them get harder and harder to solve...go figure. At this time in my life in Fayetteville (Party/Work Phase) I started partying a lot more than I ever have. So I was complicating my life by adding on more problems...so were other people in my life at that time. At some point I began to want to shed those things and mellow out, but I couldn't. I began to drop things from my life... the chick... the job... & my religion.
At the point were I felt like I was losing myself I decided I should start expanding my music to other states. My first place to visit was NYC. Roots is just a metaphor for how the trip made me feel grounded. I didn't wanna Turn up because the life of music was enough excitement for me...I just needed to live it.
Good is a touchy song...and a hard song to deal with. About the time I slowed down on my first set of travels I began to see a social change with me. Less people were turning out to the shows... I literally had less family due to the passing of my Grandfather...and I started to see the decline of family support as well. Good is my declaration saying that if you're not down to support then you're just in the way. Sorry not sorry.
Going Back is the continuation of that declaration. No more accepting hate of any kind. I will not sacrifice my happiness for the sake of kissing ass...no go.
Life is but a Dream is the ending of the beginning. It is the start of me waking up not only literally after my trip the ER but figuratively to my full potential. I rose from my dream to an email from MTV's Rap Fix letting me know my first single was to be featured on television...and I woke up too late to Skype with Sway and Ja... everything changed then.
This is how it feels to wake up as an MTV Rap Fix featured artist! I hope you enjoy the album and be sure to Pre-Order it HERE

#WORDPLAYwithTJAY begins with "Kramer"

this is the start of a weekly thing I want to do... every Saturday I'll drop some unreleased music... mostly new stuff to show you where i am...where i'm headed and why i deserve what i'm after.


 share the songs on facebook, twitter, vine...whatever you want and I'll do my best to show you love for it!

Cop #MusicFromTheHart by Josh Everhart (@j_everhart)

This journey has been years in the making but its FINALLY here!!!! The OTMMG/1Kick representah Josh Everhart just dropped his new joint Music From The Hart.  

The project is very special to me because 2 years ago we linked up and Josh flew out to my apartment to start the process.  After a crazy journey around the country...this is the story Josh recalls.  Its special so give it some time and...

LISTEN and DOWNLOAD it for FREE.



"World Premier" video from @ILLB1LL & @REALDJPREMIER

I won't lie, this might be one of my favorite Primo productions. I've been listenin to Ill Bill for quite some time now and I've always felt his lyrics but it's even better over this beat. Damn.

Bluesy new single Uma Thurman from @JaredEvan feat Lil Fame




Lovin this new track Uma Thurman that represents the album name, Boom Bap & Blues, from which it comes. I've been a fan of M.O.P. for years so the Lil Fame feature definitely doesn't hurt.



a final letter to my fans: ignant [Side B]

sorry to wake you this morning, but I have a new single

Fear.  It can be a crippling object when faced with determination.  It will make you doubt yourself, change your perspective for no good reason, or even cause you not to begin at all.  That's where I come in.

9 years ago I made up my mind and said I'm not afraid.  Even more recently I vowed to never fear anything or anyone ever again.  Like I said fear is crippling.  9 is the number of change. because it always transitions to the next sequence.

what you are about to witness is the next sequence.  no leap beyond my gifts, just pure change.  i need to become what i have always feared in myself.  so after 9 years.  i'm going to give you 9 songs.  this is the first of the 9.  listen to it, share it, and do not fear it.  ignant {side b} | now on iTunes.

Album Review: @asvpxrocky's Long.Live.A$AP


I believe it was when I first heard "Pesos" that I was intrigued with A$AP Rocky.  Listening to the song led to watching the video...that led me to being shocked at its under 3 minute run time...that led me to thinking this guy looks like he's straight up out of 1994.  You know "old school Snoop Gin & Juice video!"

Regardless of all of those options I was captivated by this guys image.  That is the most outstanding thing about A$AP Rocky.  That and his work ethic.  I downloaded his mixtape and I was hooked.  

So as we are days into his major debut, Long.Live.A$AP, I'm going to break down the good and the bad about the new project.


THIS IS WHAT I DON'T LIKE: 
  • The Weight of Content: Although I don't have an issue with a 12 track album (I actually prefer a short album), I feel that there could have been a little more meat with the potatoes.  The project is missing things like skits or some context about the HISTORY of A$AP.  Yeah he talks about it in the interviews but we want to hear how he feels about it in his raps.  
  • Lyricism from A$AP: I usually like Rocky's lyrical content because even though it isn't thick it'll give you a clear dynamic of how he feels.  There are times where his features outshine him.  For instance on "1Train" his verse should have made the track complete instead of seeming like an addition to the song.  I know that's difficult to do with so much talent on one track but his effort could have been pushed a little further.
  • Not So Stand Out Tracks: Hell, Pain, Jodye, Angels
THIS IS WHAT I DO LIKE:
  • The Production:  I'm digging how dynamic the range of production is.  I haven't really read through the credits but I LOVE Clams Casino's work on Lvl.  The entire project gives that spacey X boom pap feel.  The listener is transported to another world where Screw meets the Future.   1Train and Ghetto Symphony have some excellent production work.  Sonically they stand out.
  • The Features: This is not one of those projects where the features are awkward.  They definitely make sense for each song.  There is no one that stands out as downright horrible.  YES, even Gucci and Waka Flaka who I can't even locate in the mix of Jodye. That's probably why I'm okay with it.  Nice!  
  • Songs that Stand Out: Ghetto Symphony, 1Train, F*ckin' Problems, Long.Live.A$AP, Lvl
So Would I Recommend this album?  HELL yes I would.  Although I feel there are a few trivial things wrong with it, the project is still good sonically.  That's what matters at the end of the day.  I enjoy the music as a whole.  So go out and cop A$AP Rocky's Long.Live.A$AP. -wordplay 




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@TJAY501 has a goal of #SoMuchMore going Gold

3 Months ago I released my retail debut under On The Map Music Group.  As I said in my article about conquering fear that we cannot be afraid to take risk.  So this is my goal.

Before this year is over I have the goal of selling more than 500,000 copies of this album.  That would give me the RIAA status of Gold.

Help me reach that!

PURCHASE So Much More Here

AMAZON | ANDRIOD | SPOTIFY

How to Write a Rap (That People Remember)


There have been many times where I've been asked to give away my secrets.  For instance how do I come up with my hooks, where do I record, how did I get verified on Twitter.  The majority of the time I have no clear answer...I was born this way.  Well I wish that was completely true.  You see when I started writing rap songs, I began writing poetry, then hooks, bridges, singing melodies, and by the time I looked up I was writing about 10 songs per day.  Many people don't know that but my best friend.  Therefore that brings me to my topic.  How to Write a Rap THAT PEOPLE REMEMBER. Listen to Too Many Chains first




Let's start from the top. There are 3 key components to writing an unforgettable rap.  I'm going to lay them out for you.

  • The Hook: other than a compelling instrumental itself there should be an unforgettable hook.  In most songs...especially singles...you want it go FIRST.  When writing a hook one has to always remember where will this rap be played; in the club, in the car, in an orgy...you get it.  When you begin the hook you want the first line to punch people in the gut.  Some combination of either reaffirming domination "I'm a young black menace to society" or reminding people to have fun "Girl you look good when you..." what ever it is it needs to be a BOLD statement. Be sure to always follow the rhythm of the beat and write 4 bars that fit the melody.  If you chose to extend it you can write a repetitive bridge. "I got too many whips and chains on...uh huh...too many whips and chains on".  Next is...
  • The Verse:  Now the majority is based on your ability to have charisma, wordplay, and energy...none of those I can teach.  But what I can teach you are some tricks I enlist.  I always begin the verse with ANOTHER BOLD statement.  For example in my song Too Many Chains I say, "I'm a Young black mogul on the come up". This almost matches the hook yet sets a totally different statement.  That's what you want to achieve.  Then in the middle of the verse I call this the 9th Bar Effect you insert yet another bold statement to remind the listener that this is not a game! Mine was "When the last time Jordan came and put you out of your misery?".  Not only sending a clear message but causing the listener to ask themselves a question. Engagement is key.
  • The Vamp/Bridge: There needs to be a spot where you give the listener a mental break (if you are making a party song...you want it to be one big mental break). This is usually called a bridge.  Here you insert hook like repetition but utilize negative space (where you aren't speaking) to do the work for you.  My bridge in Too Many Chains is: "There's old school, there's new school, but this here is new cool...so swag That!". This statement just says...I'm not doing what everyone else is doing so just go with it.
If you follow all three of these recommendations you will find yourself writing better than average raps in no time.  This is a method I came up on my own and yours will be different.  Challenge yourself to new song structure and not saying what other people are saying...Only then will your song be original and be a rap song that people remember. 





@DonaldGlover's L.E.S. Video makes me miss #NYC

I had a chance to sit and unwind after a busy day of show rehearsals and regular 9-5 shit and just chill out with a drank.  That led me to discovering one of my favorite jams in video form...it went all transformer on me.  Anyhow, Donald Glover aka Childish Gambino has been touring the country for a while now...[still slapping myself for not going to meet him in Fayetteville, AR in 2011]...and he has managed to solidify a great following for his music.  Making the transition from writer/actor to Rapper ain't the easiest job on Earth...and it damn sure has its criticisms.  Childish Gambino does it well so I have no complaints.

L.E.S. is a rhythmic, lush song that you wouldn't fit in the category of Hip Hop right away (It ain't that Gucci Mane shit that people like) so its no surprise that the video would be unexpected as well.  So when I see shots of the Lower East Side, where I remember having my first big national radio interview...it made me miss NYC.  So shouts out to Donald and the video's director Ibra Ake for striking a chord in my heart.

Have you seen the #LongLiveA$AP Video?

A$AP Rocky may have started off as a guilty pleasure [pause] but I rock with the work he's put in to establish his brand.  He gives me hope for Hip Hop in 2013...hate me or love me for it but...LONG LIVE A$AP! - wordplay